$$2,747.30Camera & Photo \ Digital Cameras \ Mirrorless CamerasILCE7SM2/B
ILCE7SM2/B
A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With Full-Frame Sensor, Black
The alpha;7S II has evolved in both Stills and Movies adding internal 4K video recording, 5-axis image stabilization and High-speed AF with enhanced accuracy - while maintaining its legendary low-light/ low noise capability for extraordinary high sensitivity of up to ISO 409,6002. Additional updates include; S-Gamut. Cine/S-Log Picture Profiles ...
SONY4.76666630A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With F
A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With F
A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With-2
A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With-3
A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With-4
A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With FA7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With-2A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With-3A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With-4

SONY

A7s II ILCE7SM2 By B 12.2 MP E-Mount Camera With Full-Frame Sensor, Black

BCD4841
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Specifications
Batteries
1 Lithium ion batteries required. (included)
General
Brand
SONY
MSRP
BCD4841
Description

The alpha;7S II has evolved in both Stills and Movies adding internal 4K video recording, 5-axis image stabilization and High-speed AF with enhanced accuracy - while maintaining its legendary low-light/ low noise capability for extraordinary high sensitivity of up to ISO 409,6002. Additional updates include; S-Gamut. Cine/S-Log Picture Profiles and 120P Full HD 1920 x 1080 high-frame rate video for 5 x slow motion. An evolution of a low-light legend is here!

  • Full-frame camera with 5-axis image stabilization
  • Fast and effective, enhanced Fast Hybrid AF
  • 12.2 megapixels 10 35mm full-frame Exmor CMOS sensor Lens Compatibility - Sony E-mount lenses
  • BIONZ X image processing engine
  • High 50Mbps bit-rate XAVC S format recording of Full HD movies
Customer Reviews
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Top Reviews
Five Stars
by Valued Customer on July 02, 2018
 
 
 
 
 
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No complaint!

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Five Stars
by Valued Customer on June 05, 2018
 
 
 
 
 
Verified Purchase

Great for video and stills. Amazing in low light and has great dynamic range.

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Five Stars
by Valued Customer on April 30, 2018
 
 
 
 
 
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Love this camera!

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Amazing camera! Received it in mint condition
by Valued Customer on February 17, 2018
 
 
 
 
 
Verified Purchase

Amazing camera! Received it in mint condition!

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can find lots of information about it online it's pretty awesome, many flaws
by Valued Customer on January 12, 2018
 
 
 
 
 
Verified Purchase

Don't know that there's much to say that the camera you can find lots of information about it online it's pretty awesome, many flaws, but still pretty awesome camera!

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Best camera for wedding filmmakers!
by Valued Customer on December 31, 2017
 
 
 
 
 
Verified Purchase

Love this camera, this is actually my second one! I upgraded from the Canon 5d3. The Sony has heaps more features for video that make it much easier. Basically it's just amazing, idk..

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If Only The Canon 80D and This Camera Made A Baby
by Valued Customer on October 27, 2017
 
 
 
 
 
Verified Purchase

I've had this camera for almost a year now And I've got to say I like it I don't LOVE it But I really do like it.I am the kind of person that needs a camera to shoot something right then and there, I need to pull focus fast and a lot of times my subject is moving and I need that autofocus to be on point. (Keep in mind I am talking strictly VIDEO use)I am used to Canon cameras I switched from the Canon 80D to this thinking that this was a full frame 4k camera that will enable me to make much better quality videos and I can say that it has but I also feel like being the run and gun type, I do miss capturing some moments that I would have caught with my 80D.The Pros of this cameraThe image looks SO much cleaner and crisper than Canon cameras Hands down.4K shooting is amazing. Looks great.Custom buttons (gets some getting used to) but much better than having to dig through menus to find things that I constantly change.Inside stabilization. 90% of the time my camera is on a gimbal anyways. But I find myself shooting less and less with a gimbal because this thing does such a great job at stabilizing my image while shooting handheld.Its small, lightweight and feels very durable.Obviously low light performance is amazing but to be honest I really don't shoot enough low light stuff to even careNow the cons of this camera to me are:AutoFocus (during video) its ok A lot of people say they shoot in the Wide autofocus mode But I don't want everything in focus I want a main subject. The 80D was so easy to tap on the touch screen and it would track the subject you touched and keep it in focus. This camera has been compared to cinema cameras so I understand you are meant to take time to set up the shot and get the focus just right but thats not how I shoot and the Pros of this camera are enough for me to want it over the 80D.Saving memory presets go away with the memory card. My camera has lots of different shooting modes which I lock to the dial rather than having to jump into the settings. For example: Preset 1 will be 4K @24fps and Preset 2 will be 4K @30fps I think I have 6 presets saved, all of those include auto focus type, white balance, etc I ran out of space on one card, threw in another and apparently (and maybe this was just my fault that I didn't read it) all of my presets were gone I had to rapidly dive in the menu and set it all up not knowing that changing the memory card would do that..This camera adds a Greenish/Bluish tint Easily edited while color grading and its really not that noticeable but Canon beats all cameras when it comes to colorThe menus are pretty confusing.There is AutoFocus tracking which I used to use with my Canon all the time I can honestly say I have never used it on my Sony Obviously not having a touch screen is a big contributor why as to why I don't use it But another reason is it is just flat out horrible It loses the subject you are tracking with barely any movement. Sony really needs to get on board with the dual pixel thing like canon is doing to me it makes it MUCH MORE consumer friendly.Lenses are FREAKISHLY expensive.Overheating A lot of people say its not that bad and it really isn't I have only experienced it twice both were on hot days and I was using the normal Sony batteries when I should have been powering it with an external source.. Like my SmallHD.. It has the ability to power my camera and apparently keeps it much cooler. But when it overheats It is a HUGE inconvenience especially if you are on a job Unless you have a backup camera you can pretty much call it quits for the day and pack up and go homeThe record button is kind of in an odd spot. Luckily you can change that with your presets but still what were they thinking?Battery life is short I could shoot all day on my canon with like a battery and a half with this.. I can easily burn through 4 batteries in a day.Final Verdict I really like it Seems like I listed a lot of cons but thats only because I'm really nit-picky. I'm just anticipating when the next gen comes out.. For when it does these are some things I would need to see to move over from this..Touch ScreenFocus Tracking4K @60fps (at least the iPhone is leading in this department and thats sad)Better batteries that last longer and don't make the camera overheat.

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Great camera, great service.
by Valued Customer on October 21, 2017
 
 
 
 
 
Verified Purchase

Great customer service. Beast of a camera.

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Probably the Best Camera Real Estate Photography/Videography Available Today
by Valued Customer on October 15, 2017
 
 
 
 
 
Verified Purchase

I own a small real estate photography company and I purchased this camera just a few weeks ago for two reasons:1) To add video to what I offer my customers as I see video as a huge and growing trend in my fieldand2) Because I wanted smaller files sizes and better dynamic range for my stills work as compared to my a6000.I have only had this for about a month now, but I feel that it clearly was the right choice. It was ordered along with the Sony 16-35mm lens which has done well too.I am not a specs-geek myself and I don't think I ever will be. We all see all those people who hash out specs and capabilities of different camera systems online and debate how many stops of dynamic range a camera has and all that. I often wonder how much money they are earning with their camera or if they just get some kind of ""good feels"" for waging war in various forums.If you are thinking of buying this camera and think that it is going to make you some kind of wizard at photography or a wizard with videoyou likely should put those assumptions in a box and then put that box on a high shelf. I am going to post a series of images below. Half of them were created with images captured with this A7s2 camera. Half of them were taken with created with images captured with the a6000. Tell me if you think any of them are seriously better than the others. I don't think there's any significant difference at all myself.I suggest everyone select the right tool for the job. Where stills work is concerned, this a7s2 has a BIG advantage in the small file size as compared to my 24mp a6000. I can shoot a house, pull the card, and upload the files to the cloud nice and easy when they are 12mp. Then text my editor to pull them down and pre-edit them for me and have them waiting for final review and touch up when I get home. If I shot all my frames on 24mp (or God forbid the 48mp of the a7r2) I think that uploading the files on-site would be a major paint if not completely undoable in the trenches of a 5-house workday. This would apply DOUBLE to someone in my field who doesn't use off-camera flash but instead choose a run-and-gun HDR approach to the business where they are just peeling off hundreds of frames for each and every shoot.Furthermore, the low-light capabilities of this camera make certain shooting situations a breeze. I find that most basements in small, inexpensive homes are not good candidates for using flash. So I switch gears and DO shoot 3-shot all-ambient-light HDR in basements. Often DIMLY LIT basements. With my a6000there was really an upper limit of about ISO 800 for low-value basement shots. More than that and you start worrying about noise. This means that sometimesthat final 3 stop overexposed frame would take a LONG time to shoot. We're talking 8 seconds. Then you gotta wait another 8 seconds for it to ""process"". This is NOT the case with this a7s2. I can easily push ISO to 3200 with zero worries. I've even done 6400 and been pleased with the results. So this eliminates this little problem for me.Where video is concerned, it does what everyone says it does. Shoot in Picture Profile 8 to get slog3 to maximize your dynamic range in post. Obviously, everyone is shooting different things, but if you're shooting real estate walk-through videos, I suggest shooting in shutter priority mode, Auto ISO, in 30 frames per second recording (30p) and 1/60th shutter speed. Also, use a fly-by-wire lens like the Sony 16-35, not a manual aperture prime lens or anything like that. You want the camera to be able to stop down the aperture all the way to f22 if need be when you are doing something like approaching a window. The slog3 profile shoots at 1600 ISO or higher and I found out the hard way that it's easy to overexpose. Using shutter priority mode and allowing the camera to adjust aperture on the fly goes a long way in overcoming that problem without having to resort to ND filters.I shoot video from a DJI Ronim M stabilizerso that helps keep footage nice and smooth. The multi-axis IBS stabilization built-in to this s2 helps on that front too I'm guessing. I'm pleased with it.What about downsides?Well, there are SOME situations where I want more resolution. I shoot all my exteriors still with my a6000/Rokinon 12mm setup. I find that I may want to ""crop to zoom"" in post a bit more on exteriors and so having 24mp vs just 12mp is better for outside shots.I also like the lightness factor of the a6000. Two-story houses are usually best photographed from 8' to 12' above ground level. I bring a painters pole with an Arca Swiss clamp on the end with me to every shoot and so I can just put the a6000 on that and run it up to the desired height and then shoot my most important shots (the exterior front of the house) from higher up using the Sony WIFI app. I would NOT feel comfortable doing this with the a7s2 and 16-35mm lens. They weight quite a bit more and are just too pricey to put up on a pole like that.Finally, shooting out-of-doors in slog3 has required that I use Breakthrough Photography's 6-stop ND. If the sun is out, you really want to use that picture profile because there is going to be dynamic range issues wherever the sun is hitting trees or the edge of the house or whatever and is casting shadows. But again, you have to shoot at ISO 1600 for that and even at f22it sometimes is overexposed. So ND filters there. A mentor of mine just decided to buy both and use the s2 for interiors and r2 for exteriors for video. Says it's the best choicebut I'll have to wait to get some more coin if I'm gonna get another pricey camera.

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Sony is taking control of the cinematic DSLR market.
by Valued Customer on May 05, 2017
 
 
 
 
 
Verified Purchase

This camera does so many amazing things. I can't say enough good about it. I wish the optional applications (like Time Lapse) were easier to use, but that's a minor gripe. This thing is my workhorse and an incredible camera all-around.

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Five Stars
by Valued Customer on April 17, 2017
 
 
 
 
 
Verified Purchase

Excellent low light camera

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so far i love it, shot my first video on it
by Valued Customer on April 06, 2017
 
 
 
 
 
Verified Purchase

so far i love it, shot my first video on it, the only problem is there is some grain glitch when you're shooting log in a certain iso hopefully they will fix it in an update. My 120fps shots look grainy also but still i like it better than my mk 3 canon

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